Two guys in the Japanese restaurant, both in business suits, one railing the other with rhetorical questions to help him make his point.
How does fiber function as an armour?
He asks, the other guys says nothing, picking at sashimi, waiting for his colleague to continue.
How does metal function as an armour?
In a bar two days later (think morning sunlight and filthy windows) the interactions are even less readable. Speaking languages you cant start to guess the meaning of, with a surfeit of gestures that somehow remain opaque the guy in the Everlast sweatshirt confronts the woman drying glasses at the counter. If it’s a friendly conversation or not, you cannot tell. At some point in the undubbed movie he proffers a photograph – visible from where you are sitting – the face of a child. Bar-woman looks blank, goes back to her labour. The picture is his daughter, the presentation of it a simple uncalled for intimacy? Or the child is missing, a trail he follows with detective incompetence, a rudderless ship? You can’t know. Will never know. Leaving, the guy grins with cigarette in teeth, but his eyes are still probing the clientele, still looking for something, then he’s gone.
Final cast for Drama Queens at the Old Vic tomorrow (Sunday 12th at 7.30) was announced a few days ago – remember you can get all the old news here first. Joseph Fiennes, Jeremy Irons, Alex Jennings, and Lesley Manville join Kevin Spacey in the project of Michael and Ingar (Elmgreen and Dragset) with a text by me.